![]() ![]() In the US, after a No.69 entry, it spent three weeks at No.2. Listen to Live And Let Die by Paul McCartney & Wings, 2254890 Shazams, featuring on 70s Hits Essentials, and 70s Rock Essentials Apple Music playlists. The song entered the UK chart at No.37 and peaked three weeks later at a relatively modest No.9. McCartney and Wings recorded “Live And Let Die” during their autumn 1972 sessions for the Red Rose Speedway album, on which it didn’t appear. Paul and Linda McCartney at the Academy Awards at the Dorothy Chandler Pavilion 2 April 1974 Near the end of the Red Rose Speedway sessions, in October 1972, Wings recorded the theme song to the James Bond film Live and Let Die, which reunited McCartney with Beatles producer/arranger George Martin. “I said, ‘This is the way we’ll do it – we’ll do it with Wings, and work on the session with just the group, and then in the evening, I’ll bring in the orchestra, but we’ll still keep Wings there, and try to do it live altogether, to try to get a live feeling to it,’ and that was what we did.” 1-16 of 62 results for 'live and let die paul mccartney' Live And Let Die (2018 Remaster) by Paul McCartney And Wings. Complete chords and lyrics / suggestions for voicings / chords. 007 James Bond: The Best Songs Soundtrack. 210,686 views, added to favorites 3,461 times. Would you produce it and arrange it for me?’ I said, ‘Sure,’ and spent some time with him at his house going through the thing, and from my point of view, we were making a record, so I didn’t spare any expense and booked a large orchestra. Live and Let Die Click to play this song Paul McCartney & Wings Lyrics. Live and Let Die Lyrics Verse 1 When you were young and your heart was an open book You used to say 'Live and let live' ( You know you did, you know you did, you know you did) But if this. In Stuart Grundy and John Tobler’s 1982 book The Record Producers, Martin said of the title track: “It all started with Paul ringing me up and saying, ‘Look, I’ve got a song for a film. “He was quite true to his word, too, he was very articulate and precise, described what he wanted to hear from the music, what the emotions should be, and we worked very well together.
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